
Madness & Glory
Welcome to Madness & Glory 2019 - my solo exhibition of 54 artworks.
I am a mixed-media collage artist.
I am a junk junky.
I am habitually looking for and frequently find natural & artificial objects that look unusual & beautiful to immerse into my artworks.
I regularly ask my friends to collect packaging of products consumed in their homes & in their office.
I shamelessly ask big factories & small workshops to gift their scrap & waste materials to me.
I safely store the tons of junk I’ve collected over the years in my studio.
I never ever throw anything away as the "objets trouvés" will magically appear to me when the time is right and find its place in my work.
I use ‘sacred geometry’.
I use Celtic symbols.
I use an array of surgical scalpels to cut & create extremely fine & complex patterns on holographic papers.
I use many glues with practiced precision to join different materials together to create my art.
I use a variety of different paints, pens & tape to create & add colour, symmetry, style & movement.
I use Origami paper with folding & sculpting techniques to create bespoke & elegant Origami paper sculptures.
I use newspaper & glue to create papier Mache sculptures.
I use many materials as a canvas - plywood, plexiglass, aluminium, fibreglass, fishing buoys - and for the first time - a scooter.
I use the internet, camera, mobile phone, OHP transparencies, magazines & inkjet printer to create images.
I use branded packaging materials from all corners of the world to create hidden messages.
Please read my Personal statement next to get an essence of what this show is about:
MADNESS & GLORY / Personal Statement / 2019
Frida Kahlo said
“I paint self-portraits because I am so often alone, because I am the person I know best.”
I say
“I create collages about myself so that I can see what is going on within me. My collages are about me and a window into my soul – they are the way I feel inside”
All my artworks in this exhibition describe my inner-self at different stages during my 14 year journey - from my early twenties to my early 40’s
It’s been quite the journey, and I have done a lot of growing up. As you do.
I moved from Delhi to Goa.
From a Miss I became a Mrs.
I have had joys and I have had disappointments.
I have seen excess and I have seen scarcity.
I have lost myself and then found me.
I have been Madness and I have been Glory.
A lot has changed, a lot has been learnt and this collection of work is the experience of these learnings.
Whilst most of my work is new and fresh, there are a few artworks that were started during difficult times and completed recently for this exhibition, so if you look
carefully you will still find traces of a dark & difficult past.
My bad days have become a distant memory, and now
I feel the future is bright.
Today, I’m good.
I’m strong.
I’m independent.
I’m wiser.
I’m 100% back.
I have found my balance between the Madness & Glory.
Over the past 14 years, my identity has changed with each solo show ... From Ayesha seth (2005) to S.Ayesha (2007) to Ayesha Seth Sen (2019).
In Vietnam, the word Sen means LOTUS. I am now a “Mrs Lotus”.
I am now complete.
My 54 artworks equate to the number of beads in my chanting mala. And like each bead is a prayer to God, so each artwork is a prayer & a blessing for me.
I hope you enjoy viewing my work as much as I did making it!!
7 SINS
These 7 collages are my interpretation of the 7 sins.
MEDIUM: Mixed media on colored plexiglass
SIZE: 36X24inches
YEAR: 2019
Agni Devi

Havas Devi

Kala Devi

Manakamana Devi

Nag Devi

Shakti Devi

Meen Devi

CHRONICLES OF A TRICENARIAN
Originally these four pieces were one humongous canvas that followed me to two different studios.
With each studio move I kept adding more and more text to the canvas creating a whole array of hidden messages.
For some reason the image would not appear to me.
As I wanted to include this is my solo show… I decided to take a scissor and cut through the canvas making four separate pieces.
I then started working on them individually
One piece a night
Four days non stop
Till four different stories emerged.
CHRONICLES OF A TRICENARIAN
MEDIUM: Mixed media collage on canvas,
mounted on wooden frames
SIZE: 48X36 inches
YEAR: 2019
Flying & Sober

My dream woman & me

Wish upon a star

Your love is my anchor

KEY TO MY HEART
This piece is a self-portrait, where the woman’s hair is made out of hundreds of matches ready to be set alight!
“I am naked and bare boned clutching onto my heart and it’s key staring at the next adventure that life is about to throw my way without a user’s guide.”
Lyrics of my old music come flashing as I try and make sense of what was, what is and what will be….
I am both anxious and excited to see what is in store for me.
KEY TO MY HEART
MEDIUM: Mixed media on aluminum thali
framed in a plexiglass dome
Matches, old cd covers
SIZE: 24inch diameter
YEAR: 2019

LOVE IS THE ONLY ANSWER
This piece of work is about substance abuse
(cigarettes/alcohol/drugs)
The opposite of addiction is connection.
This piece is titled love is the only answer
but, in its creation,
I have had to ask the question is love really enough?
LOVE IS THE ONLY ANSWER
MEDIUM: mixed media collage on wood
Cigarette boxes, matchboxes,
wine corks, rolled up currency,
beer bottle tops, handmade
origami lotus flowers
SIZE: 48X72inches
YEAR: 2019

MANGAL SUTRA
The Mangal sutra is a traditional necklace made out of black and gold beads that a Hindu woman adorns when she gets married.
She wears this around her neck thereafter as a symbol of her being a married woman.
This larger-than-life mangal sutra is the exact copy of the one I was adorned with when I got married.
However, this is constructed using fishing buoys and rope all things of everyday use in the fishing village I lived in.
These buoys are used as flotation devices, a bit like “marriage” a flotation device.
Helps you to stay afloat,
keeps you from drowning,
but you can never guarantee complete safety unless you make the effort to swim.
MANGALSUTRA
MEDIUM: Painted fishing buoys, Rope, Fiber
glass clasp with hidden message
SIZE: 36X72X720 inches
YEAR: 2019


MIND THE LINE
When you enter a cinema there is a barricade with velvet ropes that stops you from entering.
This is the inspiration for this piece.
A modern take on the barricade with the message
“Mind the line”
This phrase: mind the line is in reference to the viles of white powder in homeopathic medicine bottles arranged on a mirror.
MIND THE LINE
MEDIUM: Plexiglass with lightbox, mirror,
homeopathic medicine viles
filled with salt
SIZE: Height:4ft
Width:5ft
YEAR: 2019


MORNING AFTER
This piece is a tribute to so many of those nights that we have all known at some stage of our lives or another.
Some more often than others.
When you haven’t slept all night and you find your evening ending with your head in the pot, and you swear to yourself that you will never let yourself be in this position again….
Until the next time.
MORNING AFTER
MEDIUM: Fiber glass bust, Commode,
Plexiglass disc, Styrofoam roses
SIZE: Life size
YEAR: 2019

MARRIAGE
This installation is a real-life jacket that is collaged with vintage ‘Commando’ and ‘Star’ black and white comics.
It is floating in the air as it is attached to 100 heart shaped helium balloons.
It is also attached by a rope to a fiber glass anchor.
As the days progress and the helium escapes, the heart shaped balloons start falling to the ground
This is symbolic of what my experience of marriage is…
somedays you need a life jacket just to float,
other days your anchor is so strong...
and there are days where you feel like you are floating held by a 100 heart shaped balloons….
And days where there is no air left in those ballons.
MARRIAGE
MEDIUM: Collaged life jacket, Fiber glass
anchor, Rope, 100 heart shaped
helium balloons
SIZE: As represented in the image
YEAR: 2019


MUCHA LIBERTAD
I learnt to whizz around the villages of goa on two wheels @38 years of age.
The liberation and feeling of flight were transformative to me in too many ways to explain.
I gave it fiber glass wings.
I covered it in archie comic strips because that was what I felt like, driving in a comic book.
I called it Mucha Libertad Spanish for “a lot of freedom”
MUCHA LIBERTAD
MEDIUM: Archie comics on vespa scooter,
Holographic paper, Plexiglass
discs, Fiberglass wings
SIZE: As appears in picture
YEAR: 2019


PRAYER TO LOTUS
As the viewer walks around this piece, they hear through head phones …
the sound of the sea and chanting of the Buddhist chant ‘Nam Myoho Renge Kyo’
This piece was created in protection of what I held so dear… being a Mrs. lotus.
My prayers, my chants, for safeguarding and protecting what was dear to me.
PRAYER TO LOTUS
MEDIUM: Plexiglass lotus with light fixture,
Mirror base, 101 Golden coconuts,
Hanging kalira’s (from the
artists wedding)
SIZE: As appears in picture
YEAR: 2019


FIBER GLASS WOMEN
All these fiber glass sculptures are made from an actual plaster of Paris cast of the artist that was made in her twenties.
She then took help to make a clay rendition of the POP pieces and then had created a fiber glass mold that she has used for casting the different girls.
The girls sit on metal skirts that the artist created working with a metal smith who lived down the road from her studio in the same village.
These skirts are made by welding different pieces that are used as ornaments for gates, to create these elaborate skirts for the ladies.
-
Flower Child
-
Warrior Princess
-
Madame Butterfly
-
Power of 3
FIBRE GLASS WOMEN
MEDIUM: Mixed media on fiberglass,
Gate metal parts
SIZE: Life Size
YEAR: 2019
Flower Child


Warrior Princess


Madame Butterfly



Power of 3



